"The romantic feel of the Old South coexisting with Shakespeare's eloquent verse takes the production to a new plane."
"The male supporting cast is a sight to behold and easily the highlight of the production … Rory Ledbetter, Ole Miss assistant voice and speech professor, takes the lovesick Malvolio to an over-the-top man willing to do anything for the woman he loves. "
AMELIA CAMURATI,
THE DAILY MISSISSIPPIAN,
on Twelfth Night
July 5, 2011
"Chris Young … stole the show
with his active and emotional portrayal of Prince Henry.
His raw emotion and quick ability to jump from one feeling to another makes him one of the most fascinating characters on stage."
"[Ryan] Dusek's hostility for his enemies makes even the audience a bit scared of him … [Dusek's] battle sequence is not to be missed."
"[Peter] Pinnow's reprise of Falstaff in Henry IV has some of the best comedic timing possible.
Pinnow's ability to not just perform a role but to become the character … [make] him the most valuable player in the company."
"The costumes were stunning!"
AMELIA CAMURATI,
THE DAILY MISSISSIPPIAN,
on Henry IV, Part One
June 21, 2011

ALL'S WELL THAT ENDS WELL
by William Shakespeare
directed by Felipe Macias
June 15, 16, 22 and July 6, 7 at 7:30 p.m.
June 17, 30 and July 8 at 2 p.m.
in the Ford Center Studio Theatre
KING LEAR
by William Shakespeare
directed by Joe Turner Cantú
June 23 and 29 at 7:30 p.m.
June 24 at 2 p.m.
in the Ford Center Main Hall
THE SOUND OF MUSIC
by Richard Rodgers and Oscar Hammerstein II
directed by Julia Aubrey
June 28 and 30 at 7:30 p.m.
July 1 at 2 p.m.
in the Ford Center Main Hall
Gertrude Ford Symposium
"Power and Tradition in King Lear"
June 26 at 2 p.m.
Free and open to the public,
with reception in atrium immediately following
Law School Auditorium
Robert C Khayat Law Center
481 Coliseum Drive
Oxford Shakespeare Festival is a non-Equity, non-profit,
professional summer theatre that produces annually in
June and early July. Rehearsals and building begin in
mid-May; planning begins in August.
A.L. Rowse “Contemporary Shakespeare Series” editions
are used for all OSF Shakespearean plays.